The cane makes up the unique living art of lamps and lanterns

by:Rongde     2021-01-22
Scan material rattan material selection with thick long, symmetry and no noise for high quality rattan cane. Inferior rattan is fine, toughness, tensile resistance low break easily. Indonesia is located in the equatorial rainforest regions, volcanic activity is frequent, at the age of the sun rain, fertile soil of pozzolana, make the material of rattan made in there is famous for its full symmetry. Was made in the color of the cane makes up the lamps and lanterns' yan 'overall color are consistent, bonding parts whether firm, whether the appearance is the main factor for testing it good or bad. Want to see the seat cushion arc it fits the arc a furniture, cloth fabric pattern stitching is neat, dental floss is sleek straight. Rattan origin mainly concentrated in southeast Asian countries, the cane makes up the lamps and lanterns is given priority to with southeast Asia style on the market. Southeast Asia style advocate natural, original juice, flavor, pay attention to the arts and crafts. Southeast Asia style follows the original rattan, log tonal, mostly brown wait for brunet department, the person gives on the vision with natural and plain feeling, on behalf of the natural, return uncut jade to put in true life attitude at will. Deserve to go up of cloth art ornament, clever and active. And cloth art is tonal choose cool color series more, give priority to with brunet, under the light will change color, composed in expensive gas. The cane makes up the natural style of lamps and lanterns, a symbol of leisure life, it means close to nature, plain but do not break showily, it brings comfort and convenience, make people free, free and comfortable. Fujiki furniture another characteristic is deft, unique flavor, this is other material lamps and lanterns is incomparable. Texture is full of elasticity and toughness is not possessed by other materials furniture characteristic, that is what makes people in a more comfortable when using.
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